That's How It Starts

ihateallyourgods:

Sin is an imaginary disease, invented to sell you an imaginary cure.

(via july-flame)

(Source: iraffiruse, via bihlcosbi)

“Sometimes when sailors are sailing/
they think twice about where they’re anchoring/
and I think I could make better use of my time on land”

Wait wait wait, this might be better than any fun. song.

(Source: Spotify)

But if you’re worried about the weather

suavecitoiguess:

then you picked the wrong place to stay.

That’s how it starts…

greencristina:

Guy in audience knows exactly when the camera goes on him. Oh my god.

(via frezned)

puddlejumpermusic:

I know you guys are talented, and we could sure use your help.

Hey I hear this band is pretty cool, you definitely want your artwork to be used for their new EP.

It’s funny when old friends block you out of their lives and then act like it’s your fault you aren’t friends anymore.

/sad post.

I’m finally doing laundry in Brooklyn. It’s time.

tam-bam-bam:

I’ve been waiting for this my whole life

OH. YOUR. GOD.

Actually I’m pretty sure this is fake. God dammit. I just want a zombie apocalypse!

(Source: c0nfirm3d)

(Source: punchdrunknonsense, via bihlcosbi)

suicideblonde:

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

(via popculturebrain)